#Omnisphere power synth how to

Turning up the sub-oscillator control on the Sub Phatty increases the level for the sample in the layer. I noticed that within the Default Sub Phatty patch (first patch when you load the profile) there is a Moog Modular Raw Triangle sample which is used in place of the sub-oscillator in the Sub Phatty. The re-sizable display makes it a joy to use on any size of monitor.

A Multi is a higher level than the part that can use a combination of patches in different configurations with up to eight parts simultaneously.

#Omnisphere power synth how to

How to delete garageband instruments and lessons on mac and cheese. A huge selection of effects are on board to give your patches just the right edginess or polish that they might need. There are 48 slots for setting up modulation in the mod matrix section, eight LFOs, twelve envelopes, waveshaping, ring modulation, FM and granular synthesis can further enhance your patches. Several filter types are available with serial and parallel settings. You can easily copy and paste the settings between the layers. The sample sources can also be manipulated with the synthesis features. For each layer, you can select between sample sources or waveforms for standard synthesis with optional unison or the Harmonia feature which multiplies each layer’s oscillator capabilities.

Each patch (part) can have up to four layers, effects and a dedicated arp. Before I go into any depth on the new features in 2.6, I thought I’d briefly describe some basics of Omnisphere in case you are not familiar with it. Over 1,600 new patches have been added, it has over 500 DSP waveforms and it now includes over 14,000 sounds to choose from. Omnisphere 2.6 features a new and improved arpeggiator and support for many more hardware synthesizers.